You were seeing the breakdancing, the graffiti, DJing, MCing, and the style and swagger of hip-hop just appealed to us over here and was based in soundsystem culture. It pretty much got under the skin of most young kids at the time, no matter what race. back in the later ‘70s-‘80s, it was like a cultural bomb going off. When the music and the culture hit the U.K. The thing that got me into making music was hip-hop. Describing those creatively rich days, Dobie explains, “I’m of Jamaican descent. The son of Jamaican expatriates, Dobie grew up in the Stoke Newington section of Northeast London. Given rap’s practice of repurposing the whole history of recorded music through technological experimentation, black Britain’s musical blueprint was forever altered, splintering off into a number of self-contained scenes and microgenres.īritish producer and DJ Dobie was born in the midst of this cultural moment. ![]() By the time hip-hop made its way across the pond, a rich reggae/soundsystem culture had taken firm root in the U.K. ![]() Pushing through the daily indignities of racism/anti-blackness and the general struggle of immigrant life, black Britain’s jazz, reggae, ska, and soul music thrived creatively, enriching and deepening English cultural life. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to trackĭespite this apparent progress, not much had changed when it came to white British attitudes toward its growing black population.
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